Library Journal Review
According to Stoute, a branding consultant and former record executive, "the adhesive of youth culture and inclusive racial diversity" has led to the "tanning of America." Ignoring the globalization of popular culture is perilous, he argues, and he seeks "to put an end, once and for all, to the boxing of individuals based on color." Part One traces the evolution of hip-hop and rap, showing how these forms brought success to performers who poetized their frustrations and appealed to urban teens who wanted to be cool. This section offers a detailed chronicle of early hip-hop musicians, including DJ Kool Herc and numerous others, as well as advertisers, such as Adidas and Nike, eager to increase their market share by plugging into hip-hop culture. Part Two details the "Power, Pitfalls and Potential of Tanning," and Part Three, "The Future of the Tan World," calls tanning a "cultural bridge" to the American Dream. "Cross-culturism is the next phase of tanning," writes Stoute, of which the most important element is "loving one another." VERDICT This detailed history of hip-hop as a musical genre and its genesis, development, and effects on society will appeal to historians and sociologists, as well as some fans of hip-hop. [See Prepub Alert, 12/13/10.]-Joanne B. Conrad, Geneseo, NY (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publishers Weekly Review
Stoute, founder of a brand-imaging firm, offers an entertaining, instructive mix of business memoir, music history, and marketing tutorial. He argues that hip-hop blurred "cultural and demographic lines so permanently that it laid the foundation" for the transformation he calls "tanning," a process that would "alter the landscape of America-racially, socially, politically, and especially economically." He surveys the early development of hip-hop and the arrival of LL Cool J, "the hip-hop celebrity who gave the marketing world an early tutorial about the value of aligning their brand with the genre." Stoute then moves more fully into the world of commerce, where "advertisers were looking to use the hip-hop Midas touch" but had little understanding of "the consumer they were trying to reach." Stoute's entrepreneurship and expertise in rebranding (e.g., Ray-Ban, Reebok, Modell's) makes absorbing reading. For the uninitiated, this is a sold primer on the business of music; for music historians, it's a solid study of how "how urban culture came to influence the mainstream economy." (Sept.) (c) Copyright PWxyz, LLC. All rights reserved.